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[水田部落]進北京,去澳門Waterfield Studio VIA BEIJING & MACAU

交流講座 9月1-3日 地點:北京宋庄 9月5日(六) 3:00pm~3:45pm 地點:牛房倉庫二樓 主題1:「台灣身體論」 主講:王墨林 王墨林所敍述的「身體論」,是對國家、道德、理性等各種權力裝置,通過身體作為一種呈現的說明,並參照了弱勢族群中的排除構造,找出相對於中心、主流、體制的「不可理解性」,而約略模造出的一份論述「文本」,這也是台灣文化在近乎三十年的時光裡,所能收割的一脈進步思考。 9月1-3日 地點:北京宋庄 9月5日(六) 3:45pm~4:30pm 地點:澳門牛房倉庫二樓 主題2:「台灣行為藝術節的發展脈絡」 主講:姚立群 國際性的行為藝術節,是十多年來台灣行為藝術發生的主要場合,其影響與問題與時並進。延續至今,若問台灣行為藝術視野何在,轉圜或新興之道何在,耙梳這一段歷程,成為一道無可迴避的課題。 9月1-3日 地點:北京宋庄 9月5日(六) 4:30pm~5:15pm 地點:澳門牛房倉庫二樓 主題3:「牯嶺街小劇場的經營」主講:姚立群 身體氣象館承接營運牯嶺街小劇場之初即體認知到:必須重新再為這座國內唯一被規範為前衛劇場的公共場域,由外而內地彰顯它所具有當代性、實驗性、進步性的空間性格,讓各地、各國跨越表演藝術領域與激盪族群/社群文化思惟的行動,型塑著它,讓它真正吸引有志者前來展藝與論述的場所,廣泛而密集聚眾參與。從2005年的一場「行為藝術馬拉松」起跑,總算在一路的經驗教訓與反思中,有了頭緒... Topics Topic 1: Taiwan Body Theory The “body” theory as proposed by Wang is an illustration through the body to explicate the existing institutions of power, such as nation, morality and rationality. It also refers to the marginalisation of minority groups, highlighting the “irrationality” that is in contrast to the central, the mainstream and the institutionalised. This discursive “text” thus formed, represents one thread of progressive thinking in the 30 years of Taiwanese culture. Topic 2: The Context of Taiwan’s Performance Art Festivals International performance art festivals have, for more than a decade, been the main locus for Taiwanese performance art, with increasing impact and posing timely problems. Here and now, if one is to ask what challenges or prospects lie ahead of Taiwan’s performance art, then examining the past and making sense of what has gone before becomes the inevitable question. Topic 3: The Management of Guling Street Avant-garde Theatre (GLT) Body Phase Studio was already fully aware, when it took over the administrative responsibility to run GLT, that it must strive to revive the theatre’s unique character. Being the only public avant-garde sphere on the island, GLT has a space that exemplifies the contemporary, the experimental and the progressive. The aim is to make it where all is happening: crossover performance and art, collaborative work in progress, community actions with a cultural focus…etc. So that it can truly be the locus of action, attracting performers, thinkers, artists and audiences, ultimately gathering very diverse crowd to participate in the action. Out of the past lessons and continuous reflections, and with the ten-hour opening event in 2005, we have finally found some clue…
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